The only thing I probably hate about this game is the drifting, the drifting is the only thing that irritates me sometimes. The OST is literally fire, it's so good and a lot of catchy tracks. The shifting in this game is still in my opinion the best in whole NFS franchise, something about it - is so satisfying combined with the aggressive and loud car sounds. My favourite is when I'm doing drag racing, I launch off the line and the announcer screams "Woooo!", Small things like that I absolutely enjoy. I enjoy the whole atmosphere and theme of the game and the announcers bring so much life into the game, all the comments they make, the compliments etc. Sure there's no cops and street racing, instead you have serious trackday racing with kings. The input lag remover, once applied - changes things completely and I felt so much more in control of my car! I love it and it also makes gameplay for force feedback steering wheels better.Īs for the game, it's an underrated gem and it's up there as one of my favourite Need For Speed games. The problem with this is that it makes the handling delayed and not so easy to control. As you know, ProStreet is known to have the heavy, boaty handling which is meant to be realistic however BlackBox added a 1 second timer to the steering to make it seem even more realistic so that 1 second is supposed to be the time it takes to physically turn the steering wheel. The biggest mod which made the most noticeable impact was the input lag remover. ProStreet generic fix which includes Xanvier's Multifix - fixes the infamous continue button bug and more. This time I installed some mods which improved the game and made the experience much nicer! These mods were: However, this playthrough was different compared to my other 5 previous playthroughs. So I just beat NFS ProStreet, 5 minutes ago. Gives you: spoiler Related subreddits: /r/NFSRides /r/NFSNoLimits /r/SimRacing /r/GranTurismo /r/forzaįor a full list of automotive-related subreddits, see the Autos Network. Discord ServerĬome chat in /r/NeedforSpeed's official Discord server! Click here to join! Spoiler tag ĭon't see your submission under "new"? Shoot us mod mail and we'll fix it for you ASAP. In-Game Photos can only be posted on Fridays memes on Mondays (12:00am to 11:59pm (MST)). Exceptions can be made for posts that are accompanied by a carlist, but not solely a carlist. This can also fall under low-effort post as well as duplicate posts. No Wishlists or vague posts of a picture of a car with "Please Add This". Collection Posts, Reposts, Titles with less than 5 words, Spam, Milestones, Pictures of a Screen etc.) 7. When making a submission, make sure your title and post content are related and specific as possible. Low effort/vaguely titled submissions and/or memes will be removed. Be respectful name calling, witchhunting, harassment and repeated rude behaviour will result in a ban. Consider searching before asking a question, as it may have already been answered in the past. No reposts or unnecessary resubmissions unless they add valuable discussion to the community, or if the topic has been posted in the past ~2 days. If you want to post a survey, contact the mods for approval. If you see blatant advertising, report it to the mods. No referral, affiliate, and/or survey links. This is not the place to spam your channel or videos. Do not link to/discuss key-reselling sites or where to get pirated material. PLEASE USE OUR NEW REDDIT BY CLICKING HERE OLD REDDIT IS NO LONGER BEING UPDATED. Join our Discord! OLD REDDIT IS NO LONGER BEING UPDATED.
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We look forward to hearing back from each of you in. these are the settings that I prefer for using on my. Once we have this information, we will be able to pass it along to the appropriate Roku team to investigate further. If you are encoding Blu Ray or DVD Rips from MakeMKV using Handbrake, these are the settings that I prefer for using on my Plex server. would you be willing to provide us a sample that you are experiencing this issue with so we can try to replicate the issue you are seeing. steps to reproduce the issue you are seeing.tracker ID when this issue occurs (when you see this issue occur, press the Home button 5 times, followed by the Back button 5 times and provide us with this ID).does this issue occur on a specific channel? if so, what channel and what version/build is the channel (this can be found be selecting the channel on the Home screen and pressing the * button).Roku device model, serial number, device ID, and software OS/version (these can all be found in Settings > System > About).Can you please provide us the following information: We would be more than happy to look further into this issue, but we will need more detailed information. This should roughly reflect 1/6th the encode time for an hour of video at those settings.Thanks for posting in the Roku Community regarding the issue you are experiencing with playback issues while streaming with Plex. You can also see how long each encode took to complete in the queue window under the statistics tab on completed items. It's not an exact science, but it'll give you an idea where the returns on compression settings start to diminish. Each file will be roughly 1/6th the size of an hour long video. Compare all the compressed videos, and take into account the file size. Name each output file well enough to describe the settings used. Add several encodes of this 10 minutes at different settings to your queue. Official presets A Preset is a group of settings specifically tailored for the software or device you want your videos to play on. Set Handbrake to only encode 10 minutes of this video. Find a section of the source video that cover scenes with and without some action/movement on screen. Secondly, I suggest taking a source file that is typical of the kind of sources you will be adding to your collection into Handbrake for testing different several encoder presets. Your file sizes will also be significantly smaller than with any hardware encoder. It takes longer, but produces significantly higher quality video than hardware encoding with nvenc. My first suggestion is stick with the x265 software encoder. Space-Saving H265 (about 1 hour to convert 1.5 hour of movie, saves me more than 50% of space compared to an x264): automatic cropping, no filters, H265 x265 30fps, fast, RF24, no encoder tune, one audio track AAC 5.1, no subtitles, no chaptersįast H264 (about 20 minutes to convert a full movie, saves me a 10/20% from a MKV or generally downloaded movie): automatic cropping, no filters, H264 x264 30fps, fast, RF22, no encoder tune, one audio track AAC 5.1, no subtitles, no chapters I leave here my presets just in case anyone is curious. The result is x265 is waaaay better than what i ecpected and seems to work smoothly on every device i have in the house without extremely long conversion time.įor smaller files (or files i need to convert in a very short time) i went for x264. Then I have a 2Gb Nvidia Quadro graphic card, should I convert using that or in simple H264? Does it affect anything apart from CPU/GPU usage? (I mean in terms of quality etc)ĮDIT: In the end i followed u/zjdrummond advice and tested all of your presets + someone i made. Ideally what I would like is: H264 or H265 format (shouldn't be a problem) and mp4/m4v, more or less 1Gb/hour, good compatibility with Plex, only one audio track, no subtitles, no chapter mark, possibly about 80 to 150 fps (i can't go above because of my hard disk writing capabilities, but writing directly on my NVMe SSD I can reach up to 450fps) so that I do not have to keep Handbrake open for 12 hours, I do not necessarily need a superfast encoding but let's say it should take longer than 1/1.5 hour. I am looking for an ideal preset to preserve a good quality (i have almost only 1080p videos, at least 720p but I do not want to keep 4K files) and, at the same time, save some space. I usually convert all my videos to mp4/m4v both for space-saving and so that I can easily copy them on my iPhone without needing to later convert them. I have a Z440 that I use as a server on which I have Plex's server and Handbrake. When individuals from one population migrate into a different population, they bring those different allele frequencies with them. Two different populations are often subject to different selective pressures and genetic drift, so they would be expected to have different allele frequencies. Do you think genetic drift would happen more quickly on an island or on the mainland? Evolution by gene flow (migration) makes two different populations more similar to each other The frequency of alleles in the next generation is equal to the frequency of alleles among the individuals reproducing. In each generation, a random set of individuals reproduces to produce the next generation. Genetic drift in a population can lead to the elimination of an allele from a population by chance. In these cases, the signal of genetic drift is easily swamped out by the stronger effects of selection or gene flow, so we often ignore drift except in small or endangered populations, where a random draw of alleles can dramatically change the population’s chance of survival in the next generation. The random drifting of allele frequencies always happens, but the effect is subtle in larger populations. Populations are constantly under the influence of genetic drift. By random chance, not every allele will make it through, and some will be overrepresented while other decline in frequency regardless of how well those alleles encode for phenotypic suitability to the environment, so sometimes drift reduces the average fitness of a population for its environment. Evolution by genetic drift causes changes in populations by chance aloneĮvolution by genetic drift occurs when the alleles that make it into the next generation in a population are a random sample of the alleles in a population in the current generation. But mutation combined with one of the other mechanisms of evolution ( genetic drift, natural selection, non-random mating, and gene flow) can result in meaningful changes in allele frequencies in a population. Mutation rates are actually pretty low for most genes, ranging from 10^-6 for the average human gene to 10^-10 (per base pair) for the average bacterial gene (from ).īecause mutation rates are low relative to population growth in most species, mutation alone doesn’t have much of an effect on evolution. Mutation is the raw stuff of evolution because it creates new heritable phenotypes, irrespective of fitness or adaptation. The variation that is created in a population through the random process of mutation is called standing genetic variation, and it must be present for evolution to occur. Mutations occur at random in the genome, but mutations of large effect are often so bad for the organism that the organism dies as it develops, so mutations of smaller effect or even neutral mutations are theoretically more common in a population. For sexual organisms, mutations are passed to the next generation if they occur in the egg or sperm cells used to create offspring. In the single-celled asexual organisms, such as bacterial, the whole cell and its DNA is passed on to the next generation because these organisms reproduce via binary fission. Mutation generates variationĮvolution by mutation occurs whenever a mistake in the DNA occurs in the heritable cells of an organism. Each mechanism of evolution can be characterized by how it affects fitness, adaptation, the average phenotype of a trait in a population, and the genetic diversity of the population. These are evolution by: mutation, genetic drift, gene flow, non-random mating, and natural selection. There are five key mechanisms that cause a population, a group of interacting organisms of a single species, to exhibit a change in allele frequency from one generation to the next. Identify, explain, and recognize the consequences of the other mechanisms of evolution (genetic drift, gene flow, non-random mating, and mutation) in terms of fitness, adaptation, average phenotype, and genetic diversityīiologists organize their thinking about biological processes using evolution as the framework. Queer scholar Jack Halberstam’s 2005 book In a Queer Time and Place argues that “queer uses of time and space develop… in opposition to the institutions of family, heterosexuality, and reproduction.” Queerness itself is “an outcome of strange temporalities, imaginative life schedules, and eccentric economic practices.” It is inflected by time-warping experiences as diverse as coming out, gender transitions, and generation-defining tragedies such as the AIDS epidemic. They thus develop a relationship to time itself that is decidedly queer. For them, conventional adulthood is not only inaccessible but undesirable. It wasn’t just that the Defense of Marriage Act was in effect and fewer reproductive clinics welcomed non-heterosexual clients the characters in Tea’s novel-and others who claim queer as a political identity-reject the heteronormative fantasy of adulthood. The best that could be aimed for was an academic placement and a lover who eventually tired of pansexual sport-fucking and settled down with you to raise a rescue animal in a rent-controlled apartment.” But what about those for whom that path has always been illusory? In her novel Black Wave, set in the late 1990s, Michelle Tea writes, “It so hard for a queer person to become an adult… They didn’t get married. These scholars both frame the disappearance of the conventional path into adulthood as a loss. Queer lives are notable for their lack of “chrononormativity,” starting in childhood. They fail to consider the ways in which, say, feminism, has played a part in whether young heterosexual women choose to delay marriage or dispose of it as a life goal. The sociologist Pamela Aronson suggests that the five “objective life events” still frequently used in mainstream discourse to measure the entrance into adulthood-“completing education, entering the labor force, becoming financially independent, getting married, and becoming a parent”-are based on outdated assumptions about class and gender. It’s these personal milestones-and having their stories listened to and validated-that allowed Silva’s subjects to claim the “dignity and respect due adults.”Īs for the conventional adult behaviors that remain a matter of choice, there’s a political valence to choosing differently. Silva found that her respondents had constructed new markers for coming of age based on “self realization gleaned from denouncing a painful past and reconstructing an independent, complete self”-by overcoming addiction, say, or reframing trauma as leading to empowerment. Silva notes that in “the contemporary post-industrial world… traditional markers of adulthood have become tenuous.” She interviewed working-class young people in their 20s and 30s to explore how they’ve redefined adulthood in an era of declining economic opportunity. If conventional markers of being an adult include getting a “real job” or purchasing property, for whom are those goals accessible? For whom are they a matter not of choice but of economic reality? In “ Constructing Adulthood in an Age of Uncertainty,” the sociologist Jennifer M. Yet what constitutes adulthood has never been self-evident or value-neutral. In fact, books like Kelly Williams Brown’s Adulting: How to Become a Grown-up in 468 Easy(ish) Steps imply that adulting is a series of behaviors that can be chosen or learned. The conversion of the noun into verb form implies that adulting is more performance than inevitability. This uncertainty manifests as a kind of self-consciousness about what the “right” age is to partner off, have kids, buy a house, settle into a career. The term’s emergence among Millennials speaks to a generational uncertainty about what it means to grow up-or rather, about the behaviors one associates with adulthood. In its 2015 “word of the year” vote, the American Dialect Society shortlisted the verb form of “adult”-i.e., “adulting”-as one of the “Most Creative” new usages. The icon indicates free access to the linked research on JSTOR. You can find & download the most popular Monster With Eyes On Hands Vectors on Freepik. Free for commercial use High Quality Images. Zombie hand holding old wooden board, empty space for text or draw.Find & Download Free Graphic Resources for Monster With Eyes On Hands. witch fingers hold something, low key, selected focus. Bony pale hands of vampire or monster with sharp bloody red nails in the dark. Vampire hands with sharp claws and knobby fingers in the dark, close up, low key, selected focus. Free for commercial use High Quality ImagesScary zombie hands. 95,000+ Vectors, Stock Photos & PSD files. However, in July 2020, he received notice that a news story about his marriage had been published in one section of a weekly magazine ( Shūkanshi) and decided to bring these facts to light via his Instagram.Find & Download Free Graphic Resources for Monster Eyes Drawing. By not officially announcing his marriage, Tsuda thought, he could protect his family's safety another reason for this approach is the large appeal that Tsuda's favorite actors have carried as figures who have not displayed their private lives - he, too, had thoughts of wanting to become an expressive person like that, so he hadn't made his getting married public. Tsuda married a woman he encountered around when he was starting out as a stage actor (she is not a celebrity, as Tsuda mentioned it in his Instagram announcement ), and currently is the father of two children. On January 13, 2021, distribution of these five films began. As the film's director and screenwriter, Tsuda also made an appearance in the film as an actor. On November 24, 2020, "Actor's Short Film" - a project launched by WOWOW to commemorate the station's 30th year since its opening: Five actors (facing the same conditions, such as budget and time) would individually direct short films up to 25 minutes long each one of those five films will be chosen, based on the votes of viewers and film critics, to be presented at the Short Shorts Film Festival & Asia held in 2021 - was announced on Twitter Tsuda took part with his own short film, "GET SET GO," which cast actors Ryou Ryuusei and Shunsuke Daitou. On February 2, 2019, Tsuda debuted as a film director with his release of "Documentertainment AD-LIVE" (the term being a portmanteau of "documentary" and "entertainment"). In 2017, when Keiji Fujiwara was recovering from illness, Tsuda took charge as a substitute actor for a few roles (those of Isami Enomoto in " Space Battleship Yamato 2202: Warriors of Love," Hannes in " Attack on Titan"). He began attending movie theaters in junior high though he had watched old Western movies until senior high and focused on artistic films after entering college, fundamentally his interest lies, evidently, in non-genres. Tsuda likes both filming and watching movies. In so doing, there was talk of auditions, and Tsuda made his debut in voice acting as Atsushi Noda in the 1995 animated television series " H2." Since then, Tsuda's work has centered around voice acting, as he's worked in theater, television dramas, and movie appearances, among others furthermore, he has been active at many levels, including as a narrator and radio personality, in television programs, commercials, and the like. Īfter his graduation from a trading school, Tsuda had belonged to a theatre group office. Theater Research Institute, he took and passed a non-degree course, being enthusiastic about theater work.He is a graduate of Meiji University, where he studied theater literature in the department of literature originally, he had considered wanting to make films as a movie director, when he also had an interest in the field of performing. Tsuda lived in Jakarta until he was seven years old. Kenjiro Tsuda ( 津田 健次郎, Tsuda Kenjirō, born June 11, 1971) is a Japanese actor, voice actor, and film director. The strong capabilities provided in downstream areas are complemented by our FUELCOM collaboration with the KAUST Clean Combustion Research Center.Īramco Research Center-Boston supports development in the areas of computational modeling, advanced materials, and nanotechnology. Our research center at the King Abdullah University of Science and Technology (KAUST) focuses on catalyst development, materials science, nanotechnology, robotics, solar energy materials and fuel technology. Our R&DC focuses on cutting-edge technologies that enhance operational reliability, efficiency and safety, as well as investigating clean fuels and the management of carbon release. An expansion of the EXPEC Advanced Research Center is currently underway, with new facilities to enable integrated research on sustainability technologies. Our research areas at our Dhahran headquarters include the Research & Development Center (R&DC) and the EXPEC Advanced Research Center (EXPEC ARC).ĮXPEC ARC develops specialized technologies necessary to achieve its upstream objectives of increasing discovery of oil resources and increasing reservoir recovery. In addition, YASREF represents a continuing step forward in the strategies of Saudi Aramco and Sinopec to drive growth further downstream to capture additional value along the hydrocarbon chain. Both companies bring commercial and technical expertise to the joint venture to enhance trade of transportation fuels between a significant energy producer and its consumer. YASREF is a significant addition to the impressive downstream portfolio of Saudi Aramco, while building on and cementing the strategic partnership with Sinopec, Saudi Aramco’s largest crude oil partner and buyer. High-value refined products for both international and domestic markets. Of Arabian heavy crude oil to produce premium transportation fuels, as well as YASREF uses 400,000 barrels per day (bpd) That covers about 5.2 million square meters in the Yanbu Industrial City, and Petrochemical Corporation (Sinopec), is a world-class, full-conversion refinery Refining Company (YASREF) Ltd., a joint venture between Saudi Aramco and China 46% of the project’s materials and services were sourced and manufactured in Saudi Arabia.Ī unique feature of Fadhili is that its multiple downstream treated gas pipelines enhanced the connectivity, reliability, and responsiveness of Saudi Aramco’s Master Gas System (MGS), as those pipelines are connected to the northern and central sections of the MGS. The development of Fadhili added billions of dollars to the local economy through IKTVA. In addition, Fadhili is the first plant to treat nonassociated gas from both onshore and offshore fields.įGP is also the first SA Gas plant to deploy the Sulfur Recovery Unit Tail Gas Treatment process to attain a sulfur recovery rate of 99.9%, helping to protect air quality, and reducing SO2 emissions by more than 18,000 Metric Tons per year as compared to the conventional Claus process. With a total processing capacity of 2.5 BSCFD, FGP is the first plant in the region to have the capability of sweetening low BTU gas, then directly powering an independent power plant, yet able to switch to regular sales gas as needed. FGP construction started in 2016 and was completed and put fully onstream in 2020. You can even add additional compensation details, such as a sign-on bonus or company shares.The cutting edge Fadhili Gas Plant (FGP) is emblematic of Saudi Aramco’s broad impact on not only boosting gas supply to displace crude burning, but also driving economic growth, developing the Saudi workforce, spearheading technology deployment, and reducing CO2 emissions. To build this data, you first need to submit your average salary. You can also look into freelance opportunities. 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